Featured in the 4th Edition
of Harry Box's Set Lighting Technician's Handbook Learn how to get
on the purchase or rental of a HD P&P Pkg. with Massachusetts Tax Credits Learn about the Elec. Engineering Principles
behind our HD P&P Pkg
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories
Kino Flo Parabeams Kino Flo Tegra 400 Arri 4kw HMI Par w/ PFC Ballast Arri 1800w Baby Max ARRILUX 400w HMI Mole 5kw Tungsten Pars Arri LED Fresnel Helio 270 LEP Generator Carts and Accessories |
HD Plug & Play Package
Mole Richardson --- Arri --- Power to Light --- Kino Flo --- Helio --- Honda. Combined with proprietary distribution technology we've developed, these technological advances in lighting design now enable the use of bigger lights, or more smaller lights, off of common wall outlets or off a new generation of quieter and more powerfull Honda Inverter Generators. from the new Honda EU6500i Generator __________________________________________________________________
Right: Near perfect power waveform created by the same lights with PFC ballasts on inverter generator. Our HD P&P Pkg. takes advantage of recent technological advances in HMI ballast design and power generation to create clean stable set power that is capable of operating larger lights (HMIs up to 6kw or Quartz lights up to 5kw), or more smaller lights, off of portable gas generators than has ever been possible before. For example, the power waveform above on the right, is the same package of HMI lights but with power factor corrected electronic HMI ballasts operating on our modified Honda EU6500is Inverter Generator. As you can see, the difference between the resulting waveforms is startling. Even though we are running the same overall load, the fact that the HMI ballasts in our HD Plug and Play Pkg. are power factor corrected and the power is being generated by our modified Honda EU6500is Inverter Generator, results in virtually no power waveform distortion. For this reason, sensitive electronic production equipment will operate reliably and without damage. And, the generator is capable of operating larger, or more smaller, lights than has ever been possible before on a portable gas generator.
the PFC 2.5 & 1.8 HMI Pars, PFC 400w Lighthouse HMI, a couple of Kino Flo ParaBeam 400s, ParaBeam 200s, and Tegra 400s of our HD P&P Pkg. For example, our modified Honda EU6500i Inverter Generator with our 60A Full Power Transformer/Distro is capable of powering the 2.5kw, 1800 Pars, of our HD Plug and Play Pkg., plus a couple of Kino Flo Parabeam 400s, Parabeam 200s, Tegra 400s, and up to four Helio 270 LEP lamps. Given the light sensitivity of HD Camcorders, this constitutes a complete location lighting package for HD Digital Cinema productions. By eliminating the need for a tow generator in order to have feature style production capability, our HD P&P Pkg. saves you the expense of not only the generator, but also the added expense of a rental house grip truck and truck driver. So that you can still enjoy the amenities of a grip truck, we can set up our HD P&P Pkg. on several Backstage rolling grip carts that you can load onto a Ryder or Penske rental box truck. So that you can record sound without picking up the noise of a portable generator, we can outfit your production with a custom distribution package that will enable you to run the generator from inside your rental truck while keeping your power plug in points conveniently on set. Use this link for more details about our HD Plug & Play Package, including innovative accessories that we have developed to transport our HD Plug & Play Gen-set and to use it safely in wet conditions. Please note that our accessory GFCI, when used with our 60A Full Power Transformer/Distro, brings the Honda EU6500is generator into full OSHA compliance (like most portable gas generators, it does not meet OSHA requirements for use on work sites otherwise.) Use this link for a detailed explanation of OSHA requirements and why almost all portable generators do not meet them. So that you never have to interrupt shooting to refuel, we have also developed an accessory 16 Gallon Extended Run Fuel Tank. You simply set it and forget it. Our accessory 16 Gallon Extended Run Fuel Tank also eliminates the potential fire hazard in refueling a hot generator. Use this link for details on the safety benefits and operation of our Extended Run Fuel Tank. While our HD P&P Pkg. is very new (introduced Jan 09), the power generation issues it addresses have been vexing set electricians for years. Use this link for an informative news-letter article that explains the electrical engineering principles behind these issues and how our HD P&P Pkg. resolves them. This article is cited in the 4th Edition of Harry Box's "Set Lighting Technician's Handbook" and featured on the companion website "Box Book Extras." Of the article he states: and as a result many people have absolutely no idea why things stop working." on portable generators than has ever been possible before." __________________________________________________________________ HD Plug & Play Package
For our HD P&P Pkg. we have picked lights that offer both the greatest production capability as well as the highest output (lumens/watt.) The lights in this package feature new brighter and more efficient "short arc" HMI bulb designs; as well as new more efficient and compact HMI, Quartz, and now Fluorescent par light designs. And to take advantage of the new math of low line noise, all the lights in our HD P&P Pkg. are Power Factor Corrected. The substantial reduction in line noise that results from using only PFC HMI and Kino ballasts on the nearly pure power waveform of our modified Honda EU6500is inverter generator means that we can load the generator to its' full 7500W capacity. Combined with our 60A Full Power Transformer/Distro, these technological advances in lighting design enable the use of bigger lights, or more smaller lights, off of portable generators , as well as common wall outlets , than has ever been possible before. With the exception of Mole’s new incredibly efficient 5kw Quartz Par light, there are no incandescent lights in our pkg. The reason for this is that, even though incandescent lights generate no harmonic noise, they are also the least efficient light source of the four types available. We have replaced the traditional role served by incandescent lights - Key and Backlights - with the new Kino Flo Parabeam fluorescent par lights. Here are a few of the reasons why we prefer the Kino Flo Parabeams, over other fluorescent fixtures, and even LED Panels, as Key and Backlight sources. __________________________________________________________________
Parabeam Par Lights The quality of a Key source is more critical in HD production. In High Def every detail of “on-camera” talent is rendered clearly on the screen – even the imperfections. Where LED and traditional incandescent light sources can exaggerate textural details, fluorescent soft light is more forgiving. Fluorescent movie lights in general make for a better Key source in HD Digital Cinema because they subdue those same textures and render a more cosmetic appearance.The drawback to fluorescents as a key source is that, even though they provide a beautiful soft light, the light falls off very rapidly and is hard to control. Because their light output drops off rapidly, to serve as a Key source the units need to be positioned close to the subject they are lighting. These characteristics make them well suited to serve as Key sources in documentary interview set ups where the Keys are typically positioned close to the interview subject. In that capacity conventional fluorescent lights and LED light panels (with heavy diffusion) can generate a wonderful soft light that wraps around the interview subject without wilting them. However, in dramatic set lighting, where Key sources must be capable of throwing a distance, conventional fluorescent lights and LED light panels have only limited applications as fill sources. The broad soft light they put out drops off too rapidly, and is too difficult to control, for them to be effective as a Key or Backlight source in dramatic set lighting. What distinguishes the Parabeam fixtures from other fluorescent lights and LED panels is their throw, power efficiency, and the innovative accessories Kino Flo makes available to control their light output. Accessories include barndoors, a gel frame, a diffusion panel, and Honeycomb Louvers. These features enhance the production capabilities of the Parabeam fixtures and make them suitable to serve as a key or backlight source where conventional fluorescent movie light fixtures and LED panels are not.
What makes the Kino Flo ParaBeam fixtures capable of throwing soft light a distance is that they use CAD (computer aided designed) parabolic reflectors to focus the lamp output at about 16 feet (5 meters). This feature makes them well suited to serve as key light sources because it more than doubles the light output of the lamps where it is needed most for lighting dramatic scenes - at a medium distance.
If you compare the photometric tables of the Parabeam 400 and the Diva 400, you will notice that at 16’ the Parabeam 400 puts out almost three times the light level (28FC) than the Diva 400 (10FC) even though they both use the same tubes. In fact a Parabeam 400 generates as much light at 16’ as the 4’ 8-Tube Kino Flathead 80 fixture, yet uses less than a quarter of the power (2 Amps verses 9.2 Amps.) While the seven amp difference is not a major consideration when using house power, it can make a difference when your power is limited (coming from a portable generator) because you can use four Parabeam 400s for the same power as a 4’ – 8 Bank Kino Flathead 80.
Kino Flo Parabeam ballasts also include Power Factor Correction circuitry to reduce the return of harmonic currents into the power stream, re-align voltage and current, and improve their power factor to better than .9. Given their efficiency (the 400 draws only 2 Amps, the 200 only 1 Amp) and low harmonics, a number of Kino Flo ParaBeams can be stacked on a portable gas generator without trouble. This makes them an especially efficient light source for use on small portable generators and comparable to the power efficiency of LED light panels. For instance a Parabeam 400 puts out more light than even Zylight’s new high output LED light panel yet draws just .2 Amps more power.
In the open face mode (no louver) the fixture has a wide spread with a hot center beam of light (see light distributions below). The light above and below the beam tapers off in intensity. Although the fixture is square, the beam of light, because of the parabolic reflector, is a broad lateral oval - like that of a wide lens on an HMI Par. The 90° Honeycomb Louver concentrates the light and behaves much like a medium lens on a HMI Par. The beam is slightly oval with a hot center. The light tapers off to a nice soft edge. The 60° Honeycomb Louver further concentrates the light into a smaller, tighter soft edged circle - similar to putting a spot lens on an HMI Par. The 45° Honeycomb Louver is the most concentrated circle of light. It would be similar to putting a narrow spot lens on an HMI Par. The spot displays a beautiful soft edge. In this fashion, the Parabeam’s innovative Honeycomb Louvers offer unprecedented light control for a fluorescent light fixture.
Such beam control makes the Kino Flo Parabeams suitable to serve as a key or backlight source where conventional fluorescent movie lights and LED light panels will spill all over the set. These features make the Parabeam fixtures the best candidate of all fluorescent lights to replace incandescent lights in their roll as dramatic key sources. And, the power you save by not using tungsten instruments for Keys and Backlights, enables you to power more lights on the generator than you could otherwise.
__________________________________________________________________ The PFC Tegra 400 Accessories are available to control or modify the Tegra’s light output. For example, full and half f-stop diffusion Floziers are available to soften the light even more. A Flozier is grid cloth material that slips over the front of the fixture and provides a large area of white diffusion. The resulting larger area of diffusion further softens the light. This is especially useful when dealing with reflective subject matters. For example, the harshness of lamp reflections in eye glasses is easily avoided by simply adding a Flozier.
“Bat Wing” Louvers are available to give direction to the light with minimal light loss. While interchangeable 60 and 90 degree honeycomb louvers, similar to those available for the Parabeam fixtures (see above), are available to focus their output much like an HMI par lens does. Without consuming much power, the Tegra 400 offers abundant shadow-less soft light that can be easily controlled – making it an ideal fill source and an indispensable part of our HD Plug-n-Play lighting package. __________________________________________________________________
1800w Baby Max Without a doubt, the HMI that meets our criterion of generating the most Lumens per Watt would have to be the new Arri 1800w Lens-Less HMI - the “Baby Max.” Featuring the same Academy Award winning reflector design as the 18000W ARRIMAX, the Baby Max takes advantage of the new 1800w Single Ended Lamp to provide unparalleled performance in a light that can be operated on a 20A circuit.
The unique ARRIMAX reflector creates diverging parallel rays to produce a crisp light with even distribution through a wide spot/flood range. The result is a lens-less open face fixture with an output greater than that of a Par, and with the light distribution of a Fresnel. With a beam angle of 20 to 60 degrees and a wide usable field angle, the Baby Max is designed to be both versatile and intense.
Unfortunately the same is true when it comes to operating the 1800W Baby Max on the 20A receptacles of portable gas generators. To the problem of line loss and overheating plug ends, you have the added problem that as you add load on portable generators their voltage output drops. It is not uncommon for a generator to drop 10 volts under full load. The 1800W ballast that drew 19.5 Amps at 115 Volts will draw 21.4 Amps at 105 Volts. Again, the power drawn by the 1800W Baby Max is just too near the operating threshold of a 20A circuit for it to operate reliably plugged into a 20A Edison outlet of a portable generator.
distributes power from a modified Honda EU6500is. Even though the generator is 100' away to reduce noise, plug-in points remain conveniently close to set). The Arri 1800W Baby Max works best on a film distribution system because every Edison outlet is on a 20 Amp circuit, you know what is on the circuit because you are loading it yourself, and because you are distributing the power yourself you can bring the receptacle to the light. When you can run a 60A whip and drop a Snack Box next to the ballast you won’t have a problem. But, if your style of production requires that you run multiple stingers to plug into a wall outlet, you will likely have problems with plug ends and/or receptacles overheating and tripping breakers.
The only reliable means of powering a 1800W Baby Max on wall out-lets or on portable gas generators is from a 240V circuit through our 60A Full Power Transformer/Distro (pictured above.) Regardless whether it is a Range, Dryer, or the 4-pin Twist-Lock receptacle on our modified Honda EU6500is generator, our Transformer/Distro will convert the 240V output into a single 60A/120V circuit that is more than capable of powering the 19.5A load of a 1800W Baby Max. And, since our 60A Full Power Transformer/Distro is outfitted with a 60A Bates receptacle, it can also serve as the lynch pin of a film style distro system that will allow you to move the generator off set (where it won’t be heard), minimize line loss over a long cable run, and provide plug-in pockets conveniently close to the ballasts.
By providing 60 Amps at full line level through a standard distribution system, our HD Plug & Play Gen-set will reliably operate not just one, but up to three 1800W Baby Maxs on our modified Honda EU6500is generator or from a 240V wall receptacle. The ability to run multiple 1800W Baby Maxs off of 240V receptacles is one of the best reasons that I can think of to use transformers on set. For more details about powering the new Arri1800W Baby Max on wall outlets and portable generators read our company newsletter article: “The Use of Portable Generators in Motion Picture Production”. Harry Box, author of "Set Lighting Technician's Handbook" has cited this article in the just released Fourth Edition of the handbook. In addition, he has established a link to it from the companion website for the Fourth Edition of the Handbook, called "Box Book Extras." __________________________________________________________________
4/2.5kw HMI Par As long as there is a sun and moon in the sky there will be a place for a large HMI on interior and exterior sets because small HMIs, Kino-Flos, & LED light panels don’t come close to balancing direct sunlight in day light scenes or covering deep background in night scenes. For powerful daylight fill on exterior sets, to create the feel of hard sunlight on interior sets, or to light deep background on night exterior sets, we recommend a dual wattage HMI Par. I have chosen Arri's 2.5/4kw Par for my HD P&P Pkg. because of its compact design and superior photometrics (see comparison below.)
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400w ARRILUX HMI For versatility and high output in a small HMI fixture we recommend the ARRILUX 400w HMI. Its’ par configuration offers punchy directional lighting. Its bug configuration is ideal for soft banks and lantern lights. And, now an innovative adaptor enables the 400w ARRILUX to be plugged into the back of a Leko to create a controllable high intensity daylight balanced gobo projector.
The ARRILUX Leko adapter is an accessory that offers independent filmmakers production values beyond their limited budgets. In the past, to create the effect of sunlight streaming through windows has required a fairly significant lighting budget because it required large HMI Fresnels outside windows, powered by large diesel generators. Now, a 400w ARRILUX plugged into a Leko can be used as a powerful daylight gobo projector to throw a window pattern onto the set creating the effect of sunlight streaming through a window.
The lamp used in the 400W ARRILUX offers many advantages in this particular application. Its "short" arc gap is punctual enough to be very well suited to the optical design of a Leko gobo projector. The 4 to 1 efficiency ratio of HMI versus Tungsten incandescent creates a gain in light output of two full stops. This huge increase in light level allows patterns to be visible even under the higher ambient light levels of day light scenes. The 400w ARRILUX plugged into a Leko offers independent filmmakers big budget feature style production values on shoe string budgets.
The 400W ARRILUX lantern adapter is an accessory that is especially useful for night exteriors. A 400w HMI Lantern armed out behind talent in a two shot with a 20’ boom arm will create the Reverse Key Lighting that is typically desired for night exteriors. In this approach, the one light does the job of two Keys and allows for rapid resetting for cross cutting singles because there are not light stands in the background of each single. With this kind of versatility, the 400w ARRILUX HMI is an HMI light to have if your budget will allow you to have just a few.
To maximize the number of lights that can be operated on our modified Honda EU6500is, we pair the 400w ARRILUX HMI with Arri's Power Factor Corrected (PFC) 200/400 electronic ballast. Drawing only 3.8 Amps (verses the 5.5 Amps required by Joker’s non-PFC 400W electronic ballast), the Arri PFC 200/400 electronic ballast will enable you to operate an additional Parabeam 400 on a portable generator that you could not otherwise. __________________________________________________________________
Not officially part of our HD Plug & Play Pkg., the new Mole Richardson 5KW Tungsten Par warrants a mention for those occasions when you want a powerful Tungsten source for night exteriors. Unlike traditional 5KW luminaries, the Tungsten Par uses a specifically designed General Electric 5KW Tungsten Halogen lamp intended for Axial Operation. Like an HMI par, the new Mole 5KW Tungsten Par places the lamp on its side and uses a highly polished parabolic reflector and converter lenses to adjust the field of light. Mole has computer engineered the interaction of lamp, reflector and converter lens to obtain unmatched light performance. This fixture is able to achieve output comparable to a standard 14 inch 10K Fresnel, but is similar in size, weight, and design to the Mole Day Lite 2.5/4k HMI Par.
The new Mole 5KW Tungsten Par puts out as much light as heads twice its size, yet it can to be powered by our modified Honda EU6500is Inverter Generator with our custom 60Amp Full Power Transformer Distro because it draws only 42 Amps (compared to a 10k’s 84 Amps). Or, you can use our 60A Full Power Transformer/Distro to step down the 240V output from wall outlets, thereby eliminating the need for a tie-in or large diesel generator to get the output of a 10k luminary. Without a doubt, whenever powerful 3200K punch or bounce light is required on a set, the Mole 5KW Tungsten Par is the answer. Without a doubt, our HD P&P Pkg. offers unprecedented production capability from the enhanced 7500W output of our modified Honda EU6500is and common wall outlets. Click here for a detailed explanation of the electrical engineering principles that make it possible to power bigger lights, or more smaller lights, off of portable generators and common wall outlets than has ever been possible before. Enough lights, in fact, to constitutes a complete location lighting package for HD Digital Cinema productions given the light sensitivity of todays HD Cameras. __________________________________________________________________
At NAB in 2011 Arri introduced the first of their L-Series LED Fresnels: the L7-D, L7-T and L7-C. As is evident in the demo video below of the prototype shown at the
European trade show, IBC 2010, it is clear that Arri has finally engineered a true LED Fresnel.
No longer must you choose between the quality of a true Fresnel light field or the power saving benefits of LED technology. The Arri L7 LED Fresnel combines both:
the cool-burning, energy-efficient advantages of LED illumination with the controllable versatility of traditional Fresnel fixtures (see comparison photos below.)
With remarkably clear and defined shadow rendering, excellent field homogeneity, and smooth, continuous flood to spot focus, Arri has taken the best of both worlds and created a truly revolutionary lamp head.
The beam is continuously focusable from spot to flood.
And, just like conventional Fresnels, the beam is easily controlled with barndoors and flags - enabling the light to be precisely cut to set pieces and talent (see far right
photos above & below.) Dimming is smooth and continuous, enabling seamless fades to black.
With broad spectral output (high CRI), skin tones, costumes and scenery will appear vivid and lifelike; and, the lack of forward heat means that color gels won't burn
through. And, given the discernable amount of light the L-Series Fresnel prototypes throw in the show demonstration video, on what appears to be a 6x6 Ultrabounce rigged
20’ overhead, and under the high ambient light levels of the show hall, seems to suggest that L7 Fresnels have more than enough output to waste some to diffusion and color
gel if one so desires.
__________________________________________________________________ HELIO 270 Light Emitting Plasma When you start to use the new math of not only lower power consumption, but also of lower line noise, to calculate what can be operated on a portable gas generator, you quickly realize, you have what, I would argue, amounts to a paradigm shift in lighting with small portable generators. Where before you could not operate more than a couple 1200W HMIs on a conventional AVR generator, now you can run a complete lighting package off of a Honda EU6500is Inverter Generator with the aid of a 60A Full Power Transformer/Distro (use this link for details.) __________________________________________________________________
Ideal for lighting for DSLRs & the Red Cameras
The fixtures in our HD Plug-n-Play Package are ideal for filming with the CMOS sensors of Digital SLR cameras (like the Canons) and the Red cameras. Since the native color balance of a CMOS Sensor is 5000K,
it looks best when the lighting package consists of 5500K sources. Using tungsten light sources doesn’t make a lot of sense because balancing tungsten to 5500K is not very efficient for the reasons given
above (a 1000W 3200K light becomes a 300W 5500K light when you put Full CTB on it.) Where, it makes more sense to use HMIs to light for CMOS Sensor's native color balance of 5000K because they provide more
lumens/watt and require less filtration with gels, HMIs are expensive to buy or rent.
The Kino Flo Parabeam and Helio 270 Plasma fixtures of our HD Plug-n-Play Package are a cost effective alternatives to HMIs because they are/can be 5500K (with daylight tubes in the Kino) and are an even more
efficient light source than HMIs. The capability of mixing 5500k and 3200k tubes, make the Parabeam fixtures even more efficient. For example, when using the Red’s 5000K color balance, you can warm the lights
without losing output to CTO gel by simply mixing in 3200K tubes with the 5500k tubes.
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Since, portable generators are often used to provide power on locations that are not easily accessible, we have developed several products to facilitate moving them. They range from simple cages on pneumatic tires (pictured above & below) to fully enclosed generator boxes that can be mounted on any number of vehicles.
Our sturdy generator boxes (below) are welded of heavy gauge aluminum diamond plate and are lockable for security. They feature a top lid for easy access for fueling and a hinged end panel for easy loading of the generator into the box. Doors provide access to all important generator functions. So that the generator can operate within the enclosed box for extended periods without overheating, our generator boxes are equipped with louvers and a fan to assure proper air-flow. Optional sound attenuation kits are available for further sound dampening.
easy access to controls (center right), and full enclosure for protection against rain and further sound attenuation (far right.) Our generator boxes also offer protection against the elements, further sound attenuation, and a means of securely mounting generators to camera trucks, process trailers, company stake-beds, and grip trailers. We also have a hitch frame so you can transport them on the back of 1-Ton Grip Vans or SUVs. For ease of mobility around large event sites or movement over rough terrain, we offer several heavy-duty wagon trucks that are tow capable.
Our wagon trucks are constructed of heavy 12 gauge reinforced steel decks sized to accommodate both a generator box and our 60A Full Power Transformer/Distro with cable. Full 1 inch diameter axles, large 12 inch pneumatic tires, and fifth wheel steering assure easy transportation over rough terrain.
All wagon trucks feature fifth wheel steering for greater maneuverability of heavy loads. Wagon trucks with fifth wheel steering are easier to maneuver over rough terrain with heavier loads because the steering wheels pivot on a center point and so encounter less friction when turning than would be encountered in a swivel caster. This is especially true when softer, wider pneumatic wheels are required for greater mobility on rough or uneven surfaces. A Ring Drawbar/T-Handle with a 2-1/2 inch I.D. ring allows you to hitch our wagon trucks to a pin and clevis coupler for low-speed towing with Gators or ATVs (the 3500lb capacity is reduced by 25% when towing.) The T- handle features two vinyl handgrips to allow two man operation where required. For towing over especially rough or uneven terrain, we offer a wagon truck with eight 16 inch x 4 inch 4 ply pneumatic wheels. Because, our 8 wheel truck distributes the load of the Tranformer/Distro, cable, and generator over a larger surface area, it offers much greater stability and mobility when towing over rough terrain. __________________________________________________________________
To assure safe distribution of power from the generator in the wettest conditions, our 60A Full Power Transformer/Distro bonds the Neutral to Ground and uses an Epoxy Encapsulated Core with a “3R” all weather rated housing. With the Neutral bonded to the Ground on its' secondary load side, our 60A Full Power Transformer/Distro makes it possible to use Ground Fault Protection Circuits (GFCIs.) And, with the transformer windings, core, and lead connections sealed in epoxy inside a tough, waterproof casing, our 60A Full Power Transformer/Distro will withstand the harshest outdoor conditions - making them the clear choice for power distribution from portable generators on wet locations.
consisting of Bates Extensions, Bates Splitters, and Bates-to-Edison Break-Out Boxes Since, moisture can also cause ground faults that can endanger the lives of those working on wet sets, many municipal electrical codes and OSHA require the use of Ground Fault Circuit Interrupters (GFCIs) in wet conditions. Even though, ground fault protection can eliminate electrical hazards and save lives, many productions shoot without GFCIs because they are prone to tripping when used with Kino and HMI ballasts, or are simply not available on the super quiet generators (the Honda EU6500is for instance does not have GFCIs.) They are also not commonly available for 120V branch circuits larger than 20 Amps. To eliminate the problems associated with the use of common GFCIs on portable genertors, we offer a 100A GFCI specifically designed for use with motion picture lights up to 6kw. When used with our 60A Full Power Transformer/Distro, our 100A GFCI brings the Honda EU6500is generator into full OSHA compliance (it does not meet OSHA requirements for use on work sties otherwise.)
Designed for underwater, outdoor, and wet-location filming, our 100A GFCI provides UL943 Class “A” protection. Featuring a 6mA trip level, our 100A GFCI assures protection for people and equipment from ground faults. Unlike standard home GFCIs, it uses an "Inverse Time Curve" to prevent nuisance tripping by electronic Kino & HMI ballasts that can cause costly production delays. And to assure your piece of mind, it includes a test function that enables you to confirm it works. Adapted with 60A Bates connectors, it is easy to install inline after our 60A Full Power Transformer/Distro and will provide safe and secure ground fault interruption for the entire distribution system – meeting and exceeding OSHA requirements for the use of portable generators on work sites (click here for a detailed explanation of OSHA requirements and how only our HD P&P Pkg. meets them with the Honda EU6500is. ) The Academy Award winning technology of our 100A GFCI has provided protection for the cast, crews, and equipment of major Hollywood productions: Bourne Ultimatum - The Bucket List - Indiana Jones - The Biggest Loser - CSI: New York - Sex and the City __________________________________________________________________ Each component of our
"HD Plug & Play Package" is available for Rental or Sale (Financing available - Please Inq.)
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